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Running time118 minutesCountryUnited StatesLanguageEnglishBudget$31 millionBox office$68.1 millionFrequency is a 2000 American drama film directed by and distributed. It was written. Its story follows John Sullivan, a homicide detective in New York City who accidentally discovers a cross-time radio frequency on his late father's ham radio, which allows the two to speak to each other across time. It stars, and.The film was produced by Gregory Hoblit, and Bill Carraro and was released on April 28, 2000. It grossed $9 million during its opening weekend and $68.1 million worldwide, against a budget of $31 million. It received positive reviews and has a 70% approval rating based on 125 votes on.

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Contents.Plot The plot relies heavily on the shared remembrance of the involving the. In time-leaping ham radio conversations between firefighter Frank Sullivan, speaking from 1969, and his son John, speaking from 1999, discussing events in the 1969 World Series, the two come to a point of trust about the details of events and how they play out.In October 1969, firefighter Frank Sullivan (Quaid) dies in a warehouse fire, leaving behind his wife Julia and six-year-old son John. 30 years later, in 1999, John, now an detective, is dumped by his girlfriend Samantha for being emotionally shut off. John's neighbor and childhood buddy, Gordo, finds a that once belonged to Frank, but fails to get it working.

The night before the anniversary of his father's death, John is surprised to find the radio broadcasting during an occurrence of the, and has a brief conversation with another man concerning the, which John is able to recount in specific detail. Eventually, he realizes that the other man is his father in 1969 and tries to warn him of his impending death. The next day, while attempting to rescue a young girl, Frank remembers John's warning and manages to escape the warehouse. That evening, the two reconnect and learn a great deal about each other's lives.Subsequently, John begins to notice major changes in the present: His mother Julia no longer lives at her current address, Samantha does not recognize him, and he learns that Frank died in 1989 from lung cancer due to his persistent smoking. His boss, Sgt.

Satch DeLeon, an old friend of Frank's, assigns him to investigate the 'Nightingale', a serial killer who murdered three nurses in the 1960s and was never caught. However, John discovers that the Nightingale is now connected to ten murders, including that of his mother two weeks after Frank's now-avoided death. Feeling guilty that their actions somehow led to the Nightingale committing more murders, John persuades his father to help him prevent these crimes from occurring. Frank manages to save the first victim.

Hatsune miku clock widget download desktop. But when he tries to rescue the second, the Nightingale subdues him, steals his driver's license, and plants it on the victim to frame Frank for the murder.When Frank shares his experience with his son, John realizes Frank's wallet has the Nightingale's fingerprints. John instructs his father to wrap his wallet in plastic and hide it somewhere in the house where John can find it 30 years later. Using the preserved fingerprints from the wallet, John identifies the Nightingale as Jack Shepard, a former detective. In the original timeline, Shepard died from a medical error the same night Frank died. Julia was supposed to leave early after learning Frank's death, but since it did not happen in the new timeline, Julia did not leave the hospital which prevented the error that would have killed Shepard.

Meanwhile, Frank is approached by then-Detective Satch DeLeon who tries to arrest him on suspicion of murder. In the resulting struggle, the radio is knocked over and sustains damage, shutting it off. At the station, Frank attempts to prove his innocence to Satch by being able to accurately predict various aspects of the, including the infamous Game 5 'shoe polish incident'.

While awaiting questioning, Frank activates the precinct's, escapes, and breaks into Shepard's apartment, where he finds jewelry taken from the victims. Shepard catches Frank in the act and pursues him, ending with a fight underwater where Frank appears to have killed Shepard. Satch, having realized that Frank was telling the truth, arrives in time to witness the struggle, finds the jewelry from the victims and Frank is exonerated.Frank fixes the radio, but while talking both he and John are attacked by the 1969 and 1999 versions of Shepard. Using a, Frank manages to blow off Shepard's right hand in 1969 and Shepard flees, causing Shepherd's hand to disappear in 1999 just as he is about to kill John as the changes in the past affect the present.

Furnishings in the house begin to change as the timeline rapidly fixes itself in 1999 and an elderly Frank, having quit smoking to avoid his death in 1989, appears and kills Shepard with the same shotgun, and embraces his son. The film concludes with a baseball game including John, Samantha (now his wife), John's young son, Frank, Julia, Satch and Gordo, who is now wealthy on account of having invested in on John's advice through the radio.Cast. as Francis Patrick 'Frank' Sullivan. as John Francis 'Johnny' Sullivan.

as Satch DeLeon. as Julia 'Jules' Sullivan. as Jack Shepard. as Gordon 'Gordo' Hersch. as Samantha Thomas.

as Graham Gibson. as Butch Foster. as Gordon Hersch Jr., Gordo's son.

as Sissy Clark. as Himself. Daniel Henson as 6-year-old John 'Johnny' Sullivan. Stephen Joffe as 6-year-old Gordon 'Gordo' HerschProduction The film was for production on January 21, 1999. Was rumored to be taking the role of Frank Sullivan in 1997, but fell out of the deal after a dispute over his fee.

Was rumored to be director on the film. First read the script in November 1997, eighteen months after his father's death. In a 2000 interview shortly after the American release of Frequency, he described the film as 'high risk' since the project had already been passed among several directors, including one of note who had twice the budget Hoblit was given.

In the same interview, he described the difficulty he had finding the two leads. Hoblit realized he needed an 'experienced actor' to portray Frank Sullivan, and thus settled on Dennis Quaid. Release Two weeks before its release, a sneak preview of the film was shown with.

Home media Frequency was released on on October 31, 2000 and on on April 3, 2001. It was later released on on July 10, 2012. Reception Box office Frequency was released at 2,621 theaters, making $9 million during its opening weekend. Eventually, the film grossed $45 million domestically and $23.1 million in other territories, for a worldwide gross of $68.1 million. Critical response Frequency received generally positive reviews.

Based on 123 reviews collected by the film review aggregator, the film has a 70% Approval Rating (Fresh) with the consensus as 'a tight blend of surprises and suspense that keeps audiences spellbound'. Called the film's plot 'contrived', yet gave the film a favorable review. He also pointed out similarities with the films. David Armstrong, of the, praised the moments in the film when John and Frank Sullivan talked to each other over the ham radio but criticized the 'unintentionally funny climax'. He also praised actor Shawn Doyle's performance as the Nightingale killer, calling him 'convincingly creepy'. Todd McCarthy of magazine said despite Dennis Quaid and James Caviezel's physical separation in the film, they formed a 'palpable bond that gave the picture its tensile strength'.

McCarthy noted that screenwriter Toby Emmerich's 'bold leap into reconfiguring the past' created 'agreeable surprises' and an 'infinite number of possibilities' to the plot's direction. He added, however, that the serial killer was 'desperately familiar'.gave the film two stars out of four, criticizing the 'coincidence-laden climax' but wrote that 'poor writing did not demand subpar acting', praising Frequency's 'few nice performances'.The assisted in some of the technical aspects in the film, though some ham radio enthusiasts criticized technical errors that made it into the film.Frequency made $68,106,245 worldwide and was released in 2,631 theaters in the United States. Frequency was nominated for the for, but ultimately lost out to.

The film's ending song, ', was nominated for a. Written by Jenny Yates and (performed only by Brooks), the song failed to win, losing out to ' from.Television adaptation. Main article:In November 2014, it was reported that showrunner was in talks to produce a new television series based on the film for television network. The film's writer is attached to serve as a producer for the series.

NBC passed on it, and a pilot was ordered at in January 2016. The series was canceled after one season on May 8, 2017.While not a television adaptation, Frequency was briefly parodied in the television show, where the Reno officers, responding to a house fire, are urged by the homeowner to 'save his novel,' which turns out to mirror the plot of Frequency. The Reno officers proceed to spoil the ending of the 'novel' (based on them having seen the movie), causing the homeowner to become suddenly ambivalent about having his novel saved from the flames.See also.References. Box Office Mojo.

Retrieved 2020-02-16., retrieved 2020-02-16. January 21, 1999. Retrieved June 26, 2007. ^ Cox, Dan (June 6, 1997). Retrieved June 27, 2007. ^ Busch, Anita M.

(June 27, 1997). Retrieved July 13, 2007. ^ Sragow, Michael (May 25, 2000). Retrieved June 27, 2007. Retrieved June 10, 2014. Retrieved June 10, 2014.

Retrieved June 10, 2014. Retrieved August 13, 2010. Ebert, Roger (April 28, 2000). Retrieved June 27, 2007.

Armstrong, David (April 28, 2000). Retrieved June 27, 2007. ^ McCarthy, Todd (April 17, 2000). Retrieved June 26, 2007.

Berardinelli, James (2000). Retrieved June 26, 2007.

Retrieved June 26, 2007. December 21, 2000. Retrieved June 27, 2007.

Lesley Goldberg. The Hollywood Reporter. 17 December 2015. Strauss, Bettina (May 8, 2017). The Hollywood Reporter.

Retrieved May 8, 2017.External links. at.

on. at.

Frequency is a 2000 film directed by Gregory Hoblit and written by Toby Emmerich.NYPD detective John Sullivan is the adult son of a firefighter, Frank , who tragically died on the job when John was a child in 1969. John discovers that during the aurora borealis in 1999 he can use his father's old ham radio to talk to him exactly 30 years in the past. Using his knowledge of the past thirty years, John changes history, saving Frank from dying in that fateful accident. They soon discover that changing the timeline has drastic consequences. A serial killer known as the Nightingale Killer had died in the old timeline - but in the new timeline, John's mother, Julia , a nurse, was not called away due to Frank's death, and thus she was able to prevent the killer's death in the hospital. In the erased timeline, the killer claimed only three victims - but in the new timeline he kills ten women, one of them John's mother.

Working across a span of thirty years, John and Frank work together to stop a serial killer, who soon sets his sights on the Sullivans.In 2016, greenlit, a television adaptation of the film; John Sullivan has undergone a into Raimy Sullivan , Frank has been made into a cop just like his daughter, and the concurrent timelines are now 1996 and 2016 (only a 20-year separation). Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be roughly the same as the film for now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.Not to be confused with the obscure.

This film provides examples of:.: During the scene when Frank climbs out of the water after thinking he killed the Nightingale murderer, there is a boat with an Evinrude outboard motor. The motor is a 1999 model, but this scene in the movie takes place in 1969.: 'I'm still here, Chief.' Nightingale: Time for me to steal your life away.: The Nightingale Killer is a of women who turns out to be a fairly respected cop.: The way Frank uses his firefighting knowledge to rig electrical wiring, a metal door, coffee, a spraycan and a lighter smacks of this.: Julia.: The effects of the temporally-displaced conversation between father and son don't take place all at once. Although it is quite inconsistent — the speed of some actions in the past seems synced to the speed of the effects appearing in the present, while others can take only a fraction of a second in the past but the effect in the present takes much longer. Notable examples:. A sentence written in the past appearing in the present letter-by-letter. In one scene, the bad guy gets his hand blown off with a shotgun, meanwhile his 30 years in the future counterpart is shocked to see that same hand wither away into a nub while strangling his original opponent's son.: See, above.: 1999!Shepard saying 'Time to die, Sullivan!'

To 1999!John gets picked up over the radio in 1969, distracting 1969!Shepard long enough for Julia to get the jump on him and Frank to shoot his hand off. Not only that, but Frank seems to have also heard it, letting him know where and when in 1999 to finish him off.: Julia (unknowingly) saved the Nightingale Killer from dying of medical error, and he repays her by adding her to his list of victims.: The look on Frank's face when Shepard corners him in the police station. Shepard also has a facial version in 1999 when his hand starts shriveling up. Which continues when Frank shows up in 1999, ready to finish the job.: The established Frank as a bold firefighter.

He saves a victim from the sewers and then has to escape a fireball propagating through the tunnel.: The climax in which John and Frank each fight the killer in their timeline.: The plot involves the main character's ability to communicate through time with his long-dead father through a ham radio.: is two years younger than Jim Caviezel while playing his mother in the present timeline. Make-up made her look way older though.: Though it can only transmit sound, it gets a lot of creative use.: The main characters find out who the killer is fairly early on.the problem is how to prove it to the cops, with evidence the cops will actually believe.: Throughout the movie. Most notably are the changing photographs and newspaper clips. There is also the nicer appearance to the decorations in the house at the end.: After changing the past, John discovers that he remembers both the old timeline and the new one. Somehow averted with Shepard. His brain should have been going nuts with deja vu and new timelines while he's fighting with the Sullivans in their respective time periods.: 1969 time and 1999 time seems to be hooked up and run concurrently during the duration of the aurora borealis.

Possibly the best-portrayed example in movie history. A prime example would be the climax in which Frank shoots off the killer's hand.

It is made to look like to prevent the killer from offing John in the present. In reality Frank would have had 30 years to do that. In fact Frank does take and eventually rescues John from the Nightingale Killer but only.: The Nightingale Killer.: The film is an extremely satisfying complete embodiment of this idea.: Frank tries to get into Sissy Clark's apartment with a Mastercard.

It works, but he's too late for her.: Frank's helmet hits the pavement when the warehouse building explodes. This is a technique for firefighters in impossible circumstances, as a last-ditch call for help. Also, a highball glass slips from John's hand when the timeline resets during Frank's rescue from the warehouse fire.: Frank does a slo-mo fall out of a burning building into the Hudson River, followed by his helmet bouncing on the pavement.: Everyone from '69, obviously, but the gold medal has to go to the Jack Shepard of the final timeline. After getting his ass kicked and his hand completely blown off by Frank, he then runs away and goes into hiding for thirty years before returning to the Sullivan house in 1999 to try to kill John.

Though it also be handed over to the runner-up Frank, who knew to come back to the house by then so he could take down Shepard for good and save John.: The radio connection to the past is made possible by incredible strong sun storms that have created an aurora borealis above the city. Note The 2016 series uses instead to establish the connection.: Frank does this to divert attention when he escapes the police station.

He triggers the sprinkler in his interrogation room which then turns on all sprinklers on the floor.: John drops a hint to his perennially unlucky friend to invest in Yahoo when the company gets created. The epilogue shows that he did just that.: The movie is one big Timey-Wimey Ball.

You've got the son talking to the dad on the same ham radio, and even the whole 'changes happen in sync with each other' deal. The first time John changes history and saves his father, he suddenly has memories of both timelines, which is promptly dropped for the rest of the film as from then on he only has memories of how things originally happened.: Frank learns through John's future description of the ongoing 1969 World Series and the warehouse fire that John is indeed his son in 1999. Frank, in turn, uses the World Series knowledge in order to convince his cop friend that he's telling the truth about John and that he's being framed for the Nightingale murders.: It's never shown what happened to Shepherd's father, especially in the final timeline. One can only assume he died of heartbreak upon learning about the awful truth.: Frank died in a burning building because he found himself in this situation (one corridor in fire, another with just smoke) and picked the easy way. When John tells him he has to go the other way, Frank goes through the fire, which leads to a faster way out of the building.: Used by Frank to get fingerprint evidence to his son 30 years later. Also, to a lesser extent, scratching 'STILL HERE' into the kitchen table.

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